02 Taking pictures of dishes so that they look delicious, Part 1
A technique to produce blur in close-up photos taken with a single-lens reflex camera.
Photograph the plate at an angle where the front edge of the plate with the dish comes to the center of the screen. Then, the blurred edge of the plate will produce a sense of blurring to bring out the in-focus dish.
Taken with: GR DIGITAL II ●1/48 sec ●F2.4 ●ISO80 ●EV-0.0 ●WB:MANUAL
The edge of the plate is blurred, bringing out the dish on the plate.
Taken with: GR DIGITAL II ●1/90 sec ●F3.5 ●ISO100 ●EV-0.0 ●WB:AUTO
The closer you come to the subject while keeping the edge in the screen, the larger the blur effect becomes.
The table at a bright window with contrasting light and shadow. In such a case, enjoy that situation by turning the bad conditions to your advantage without treating them as a "nuisance". For example, the shadow created by the glass can be considered unexpectedly beautiful. While eating your meal, trigger your camera toward the artistic creation of "light and shadow" only during that time, and you can savor the time at the table much more efficiently.
Taken with: GR DIGITAL II ●1/250 sec ●F7.1 ●ISO100 ●EV-0.0 ●WB:AUTO
Taken with: GR DIGITAL II ●1/380 sec ●F7.1 ●ISO100 ●EV-0.0 ●WB:AUTO
Taken with: GR DIGITAL II ●1/810 sec ●F7.1 ●ISO100 ●EV-0.0 ●WB:AUTO
When you want to photograph dishes much more expressively, switch the mode from "taking pictures of dishes so that they look delicious" to "designing dishes", and look for fascinating angles. Troublesome "shadows" become a vital factor to create fascinating photos depending on how you use them.
Don't complain about shadows and insufficient brightness. Use the given environment on site and enjoy photography work like a photo designer.
Taken with: GR DIGITAL II ●1/710 sec ●F7.1 ●ISO100 ●EV-0.0 ●WB:AUTO
Use the troublesome shadows as a part of the design of the plate. Be careful so that the dish is not covered by the shadow.
Taken with: GR DIGITAL II ●1/710 sec ●F7.1 ●ISO100 ●EV-0.0 ●WB:AUTO
The terrine you photographed in [Basic section] can give different impression when it is photographed from this angle.
Taken with: GR DIGITAL II ●1/380 sec ●F7.1 ●ISO100 ●EV-0.0 ●WB:AUTO
Photographing the dish with the theme of "white plate and brown sauce"
Taken with: R8 ●1/620 sec ●F3.6 ●ISO100 ●EV-0.0 ●WB:AUTO
Photographing the dish from an angle to highlight the beautiful pattern of the plate
Taken with: R8 ●1/570 sec ●F5.4 ●ISO100 ●EV-0.0 ●WB:AUTO
An ordinary photograph of a dessert...
Taken with: R8 ●1/380 sec ●F4.9 ●ISO100 ●EV-0.0 ●WB:AUTO
If you photograph it with the theme of "the design of the serving dish like water drops" while not focusing on the contents, this kind of photo results.
Although there are various keys to photographing dishes so as to make the dishes look tasty, the most important thing is to express "the sense of sizzle and reality". When you try out the food at various restaurants, you will not always be able to obtain a suitable lighting environment such as that used by professional media photographers. To make viewers experience a "tasty-looking" feeling when they see your photos, I think it is necessary to retouch the photos. When retouching photos, you should keep "the sense of sizzle and reality" in mind. Being aware of this point should prevent you from making mistakes such as using unnatural paint colors or overly emphasizing artificial outlines of the dish.
There are many restaurants serving good food in every town.
A plate of tasty food served at a restaurant in which you had a happy time; do your best to take photos of such food so that it looks tasty.
It will show "gratitude" toward the restaurant, and will allow you to quickly pass on information about "the place that makes you happy" to viewers.
This will be for your own pleasure as well as giving ideas to someone who sees the photographs.
It's nice if you can try out the food at various restaurants like that, isn't it?